Supporting Parents of Children with Disabilities: The Podcast Series

Context

For many families, the moment when a child is diagnosed with a disability or special educational needs becomes a profound crisis due to a lack of clear information, complex bureaucratic procedures, and emotional exhaustion. In the Ukrainian media landscape, these issues are often covered only fragmentarily and rarely provide practical answers to parents’ everyday questions.

In this context, the podcast format creates a safe space for explaining complex issues and supporting families who are only beginning the process of acceptance and adaptation.

What has been done

Hromadske Radio launched the podcast series “Fighters Who Conquer the World”, aimed at parents of children with disabilities or special educational needs who are encountering a diagnosis for the first time.

The project’s author, journalist Tetiana Kurmanova, discusses:

  • practical aspects of caring for a child;
  • rehabilitation and early intervention;
  • psychological support for parents and maintaining personal resilience;
  • overcoming bureaucratic barriers and social stigma.

The series also addresses the broader issue of promoting tolerant and non-discriminatory attitudes toward children with disabilities and their families.

How it was implemented

  • The editorial team chose the podcast format, combining expert commentary, parents’ lived experience, and practical guidance.
  • Episodes cover topics such as accepting a diagnosis, obtaining disability status, accessing benefits, finding doctors and specialists, rehabilitation pathways, and early intervention services.
  • The project is designed to provide immediate practical value for families while also increasing public awareness of inclusion and disability-related issues.

Impact

The podcast achieved more than one million social media impressions and received strong audience support. The project was shortlisted among the best podcasts of 2025 by MEGOGO.

Hundreds of positive responses from parents, as well as support from disability and family organizations, demonstrated both the demand for such content and its practical value for society.

What other media can learn

  • Use audio formats to provide both practical information and emotional support to target audiences.
  • Combine expert knowledge with the experiences of real people to build trust and a sense of community.
  • Discuss inclusion and non-discrimination in clear, accessible language so that complex topics become understandable to a broad audience.

Public Education and Visibility of the LGBTIQ+ Community Through a Multimedia Format

Context

Despite gradual changes in public attitudes, LGBTIQ+ people in Ukraine continue to face discrimination, hate speech, and a lack of reliable information in the media. Issues related to sexual orientation and gender identity are often covered either fragmentarily or through the lens of scandal, without sufficient context or authentic human stories.

In this context, educational media projects become a key tool for challenging stereotypes, fostering empathy, and normalizing diversity as an integral part of Ukrainian society.

What has been done

Hromadske Radio launched the multimedia educational project “Someone Loves Someone” (Khtos Kogos Lyubyt) in 2024–2025, dedicated to LGBTIQ+ people in Ukraine. Journalist Ana More, the project’s author, created two seasons of video podcasts, audio podcasts, and written materials that:

  • debunk common myths about the LGBTIQ+ community;
  • discuss discrimination, social challenges, and security risks faced by LGBTIQ+ people;
  • introduce audiences to the personal experiences of the project’s participants, giving them space for self-expression.

The project’s goal was not only public education but also contributing to real social change that improves the situation of LGBTIQ+ people in Ukraine.

“Hromadske Radio considers it our responsibility to give voice to those whose voices are often unheard, especially during wartime. We deliberately chose a multimedia and serial approach so that LGBTIQ+ people would be represented not occasionally, but as a full-fledged part of Ukrainian society. Visibility and knowledge are the first steps toward reducing discrimination,” says Viktoriia Yermolaieva, editor-in-chief of Hromadske Radio.

How it was implemented

  • Season one: a series of videos and podcasts published on YouTube and Hromadske Radio platforms.
  • Season two: continuation of the format with new episodes and an expanded thematic focus.
  • Integrated approach: combining personal stories with factual explanations of myths, discriminatory practices, and legal issues.

The multimedia format made it possible to reach different audience segments — radio listeners, podcast audiences, YouTube viewers, and readers of written articles.

Impact

The first season became the most popular project on Hromadske Radio’s YouTube channel in 2024, while the second season became one of the channel’s most popular projects in 2025.

The project accumulated hundreds of thousands of YouTube views and millions of social media impressions. Audiences left hundreds of comments emphasizing the courage of the format, the importance of open conversation, and the accessibility of information about LGBTIQ+ people.

What other media can learn

  • Combine personal stories with factual explanation in order to work simultaneously with emotion and knowledge.
  • Provide platforms for socially marginalized groups and allow them to speak in the first person.
  • Use multimedia formats — video, podcasts, and written articles — to broaden reach and maintain long-term audience engagement.

Visibility of Veterans’ Experiences and Reducing Stigma Through First-Person Storytelling

Context

Since the beginning of the full-scale war, the number of veterans in Ukraine has been rapidly increasing. At the same time, public discourse about veterans’ experiences is often limited to two extremes: heroization or stigmatization. Veterans’ stories are frequently reduced to narratives of trauma, loss, or “otherness,” which complicates reintegration into civilian life, contributes to social isolation, and reinforces discriminatory perceptions.

In this context, media play a crucial role in shaping a responsible, unbiased, and humane understanding of veterans—as diverse individuals with their own histories, experiences, and potential for active participation in society.

What Was Done

The media platform Nakypilo created the podcast series Shoulder to Shoulder, centered on conversations with soldiers and veterans of Ukraine’s liberation war.

The podcasts address:

  • returning from the front to civilian life, adaptation, and rehabilitation;
  • mental health, bodily changes, inclusion, and the prevention of social isolation;
  • veterans’ experiences in their own words, without imposed frameworks of heroization or pity.

One episode features Dmytro Kozatskyi (“Orest”), a veteran, public speaker, and project manager working on veterans’ engagement in the defense industry, highlighting veterans’ professional development and civic participation as well.

How It Was Implemented

The series is built around open, non-confrontational conversations in which participants speak in the first person, at their own pace and in their own language.

The editorial team deliberately chose:

  • an audio format that creates a sense of a safe space for discussing difficult topics;
  • a focus on personal experience without generalizations or stereotypes;
  • an approach that allows discussion not only of traumatic events but also of recovery, new social roles, and participation in community life.

Natalia Nekypila, commissioning editor at Radio Nakypilo, explains that the newsroom approaches mental health, bodily changes, and vulnerable veterans’ experiences in line with the outlet’s editorial policy. The key principles include prioritizing human dignity over sensationalism, using non-stigmatizing language, and respecting the personal boundaries of guests. Veterans are never treated as “cases” or generalized figures; their own voices and their right to control their stories remain central.

According to her, the newsroom consciously avoids dramatization, excessive heroization, and pathologization of experience, does not pressure guests emotionally, and considers the psychological safety of the audience, especially when covering PTSD, loss, and adaptation to civilian life. This helps minimize the risk of retraumatization and triggering for listeners.

She also emphasizes the importance of contextualization: veterans’ personal experiences are presented within a broader wartime and social context, including access to rehabilitation, the role of communities, and state responsibility.

“This approach resonated with audiences: listeners and veterans noted the calm tone and the feeling of a safe space where difficult topics could be discussed without retraumatization. Critical feedback also occurred, and we took it into account. The local context of Kharkiv is fundamental for us: the city lives in close proximity to active hostilities, and this shapes the tone of our conversations—careful, restrained, and oriented toward supporting the community. The radio does not merely talk about veterans; it talks with them as members of a community for whom the experience of war is an everyday reality.” — Natalia Nekypila

Impact

The podcast series contributes to changing perceptions of veterans—from seeing them solely as carriers of traumatic experience to recognizing them as diverse and full participants in social life.

The materials:

  • help dismantle stereotypes related to bodily changes, mental health, and expectations of the “perfect hero”;
  • strengthen public discussion about equality, dignity, respect, and trust;
  • provide an example of responsible journalism when working with vulnerable experiences in wartime and postwar contexts.

What Other Media Can Learn From This

  • Build conversations with veterans on the basis of equality rather than treating them as a “special category.”
  • Allow guests to speak in the first person and at their own pace, without emotional pressure or imposed narratives of heroism or suffering.
  • Avoid generalizations and stigmatizing language that automatically links veteran status with mental illness, danger, or social isolation.
  • Cover mental health responsibly, distinguishing personal experience from professional medical or psychological information.
  • Use formats that reduce confrontation, such as podcasts and long-form conversations that allow careful listening and nuanced discussion.
  • Show the diversity of veterans’ experiences, including women veterans, veterans with disabilities, and people of different ages and professions.
  • Shift the focus from war as an event to life after war, including work, civic engagement, professional development, and everyday challenges.
  • Coordinate sensitive topics with guests and respect their right to decline discussing certain experiences.
  • Avoid exploiting visual or audio effects that intensify drama at the expense of human dignity.
  • Reflect on the newsroom’s own role in shaping public perceptions of veterans and its responsibility to support inclusion rather than exclusion.

Women Soldiers’ Visibility in the Culture of Memory

Context

Despite women’s active participation in the Armed Forces of Ukraine and other components of the security and defense sector, their military experiences remain insufficiently represented in the culture of memory. Traditional practices of war memorialization often reproduce masculine images of heroism shaped by the Soviet legacy, which leads to the symbolic exclusion of women soldiers from public commemorative space.

In the context of the full-scale war, the question of whom and how we remember becomes not only cultural but also political and value-based. The visibility of women defenders in memorial practices is an important condition for building an inclusive, fair, and contemporary culture of memory.

What Was Done

The media platform Nakypilo produced an episode of the podcast Memorialization of War dedicated to the presence of women soldiers in the culture of memory.

In conversation with Oksana Dovhopolova—co-founder and curator of the memory culture platform Past / Future / Art, Doctor of Philosophy, and professor at the Kyiv School of Economics—the episode:

  • analyzed why women’s military experiences remain insufficiently visible in public space;
  • examined the influence of Soviet militaristic traditions on contemporary commemorative practices;
  • raised the question of rethinking approaches to memorialization through a gender lens.

How It Was Implemented

The podcast was designed as an expert analytical conversation focused on cultural and philosophical analysis.

The episode discussed:

  • contemporary tools of war memorialization, including artistic projects, memory festivals, public campaigns, and local memorials;
  • the ways cultural practices can both reproduce inequality and become instruments of change;
  • the topic in cooperation with Divoche.Media, which expanded the audience and engaged listeners interested in gender issues and cultural processes.

The podcast format made it possible to explore the issue not through isolated cases but as a long-term social process requiring reflection and systemic solutions.

Impact

The episode contributed to a new understanding of commemorating women soldiers as full participants in the war rather than exceptions within a “male” narrative.

The material:

  • strengthened public discussion about the need for change in the culture of memory;
  • drew attention to symbolic inequality in memorial practices;
  • generated active audience engagement on social media through comments, shares, and discussions.

What Other Media Can Learn From This

  • Integrate a gender perspective into coverage of war, memory, and commemoration, rather than limiting attention to news reports about women’s participation in combat.
  • Ask questions about visibility and exclusion, analyzing whose experiences are represented in memorial practices and whose are systematically ignored.
  • Work with experts from humanities, cultural studies, and philosophy to provide deeper analysis of complex issues that extend beyond daily news logic.
  • Use podcasts and long-form formats to discuss long-term social processes where context and reflection are more important than speed.
  • Critically rethink the Soviet legacy in language, symbols, and memorial forms, proposing alternative and inclusive approaches.
  • Collaborate with other media outlets and cultural platforms to broaden audiences and bring multiple perspectives into conversations about memory and war.

Inclusive newsroom and journalist with disability

What has been done

Nakypilo Radio has introduced the practice of inclusive editorial work, which is based on equality, trust in professionalism, and the full engagement of journalists with disabilities in content creation. One such example is the work of Volodymyr Noskov, a journalist and an author of radio programs, who has been working in Ukrainian media for over ten years despite complete loss of vision. For the past three years, he has been one of the voices of Nakypilo radio, where he creates his own programs, hosts live broadcasts, and conducts interviews, often focusing on human stories and accessibility issues.

The newsroom did not just adapt working conditions but also provided the journalist with broad discretion, granting him the ability to come up with the topics, tone of the conversation, and editorial content. Volodymyr Noskov’s own experience allows him to talk about barriers not as an outside observer, but from the inside — without stereotypes and regret, but with dignity and respect. The newsroom emphasizes that he insists on equal professional treatment and demands, not expecting any preferential treatment but simultaneously reminding the team of the importance of empathy and respect.

The presence of a blind journalist reinforced tolerance and empathy within the entire team. His colleagues note his professional strength, ability to work with the most complex topics, and charisma, which contributes to team spirit in the newsroom. In addition, Volodymyr Noskov tests Nakypilo’s materials and services for accessibility, helping the media outlet improve its practices.

A special example of this work was a public case when the journalist pointed out a low-quality service for people with low vision. This situation resulted in a broader public discussion on systemic accessibility issues. The media viewed it not as a personal conflict but rather as an important signal about real difficulties faced by people with disabilities.

Nakypilo’s approach in this practice is based on several key principles: a journalist with a disability is viewed as a full team member, not a “special case”; the author’s personal experience strengthens the materials instead of limiting the content; stories about barriers serve to form empathy and understanding among the audience rather than pity. This case demonstrates that inclusion in the media is not only a matter of access; it is primarily about trust in professionalism and creating equal conditions for a journalist to influence content and public conversation.

Hromadske Radio: Implementing Equality, Inclusion, and Accessibility Policies in Editorial Work

What Has Been Done

Hromadske Radio has adopted a Policy on Accessibility, Equality and the Rights of People with Disabilities.

The document sets out principles of non-discrimination, inclusive coverage of disability-related issues, and accessibility of media content. The Policy provides recommendations on respectful and appropriate language, the representation of people with disabilities, digital and information accessibility, moderation, as well as creating inclusive working conditions and editorial processes.

It also includes specific tools such as alternative text for images, subtitles, transcripts, accessible meeting formats, reasonable workplace accommodations, and regular monitoring of the representation of people with disabilities in media content. The editorial approach is based on human rights principles and applies to all content formats, in line with UNESCO recommendations set out in the Practical Manual on Disability Equality in the Media.

At the same time, the editorial team is finalizing an Editorial Policy on the Use of Artificial Intelligence, which will include provisions aimed at preventing technology-facilitated gender-based violence against women.

How It Was Implemented

The editorial team combines regulatory changes with practical steps. Among other things, they are implementing technical solutions to make the website of Hromadske Radio more accessible to people with disabilities.

Blind journalist Volodymyr Pyrih has been working on the newsfeed for over a year now. He writes news publications, selects illustrations, publishes materials, works with internal editorial software, audios, videos, and documents, and maintains communication with the other team members. His work demonstrates that inclusion is possible not by creating “special conditions” but by organizing work processes properly.

Impact 

The practice of engaging a journalist with a disability on equal terms reinforced the idea of equal opportunities in the media outlet, challenging stereotypes regarding professional limitations of people with disabilities.

Editorial policies and practices contribute to the formation of a more inclusive culture within the team, which also affects the quality and sensitivity of the content.

Challenges and Further Plans

Hromadske Radio strives to make content on all its platforms, including the website and social media pages, fully accessible to people with disabilities. This requires additional financial resources for developers, contemporary software, training, and payment for specialized services.

How Other Media Can Follow:

  • Enshrine the principles of equality and inclusion in internal policies and codes.
  • Combine regulatory documents with real changes in the organization of editorial workflow.
  • View accessibility as an issue of processes rather than “special conditions.”
  • Invest in the technical and organizational accessibility of the media content.